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Joseph-Hector Fiocco
Allegro in G Violin and piano
From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. The ‘Allegro in G’ was originally the tenth piece in the collection ‘Pièces de clavecin op. 1’ for harpsichord as ‘Allegro’. Schwierigkeitsgrad 3 : Fingersätze müssen ggf. eingetragen und geübt werden The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’
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Carl Stamitz
Concert D-Major op.1 Viola and piano
The series ‘dumb it down’ offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. Level of difficulty 2: must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’
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Edward Elgar
Salut d'amour Flute and piano
From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Salut d'amour was composed for Elgar's piano student, Caroline Alice Roberts, with whom he later became engaged and soon married. The original versions, considered authentic because they were transmitted in autograph form, are for piano, violin and piano, as well as cello and piano. The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’ Level of difficulty 3: Fingerings may have to be entered and practised
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Thorvald Hansen
Concert Waltz Clarinet (Bb/A) and piano
From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’
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Edward Elgar
Salut d'amour op. 12 Clarinet and piano
From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends and so on. Salut d'amour was written for Elgar's piano student Caroline Alice Roberts, with whom he subsequently became engaged and soon married. The original versions, which have survived in autograph form, are for piano, violin and piano as well as violoncello and piano. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’
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Johann Sebastian Bach
Gavotte 1 and 2 from Orchestral Suite No. 3, BWV 1068 Violin and piano
From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Level of difficulty 3* : Fingerings may need to be entered and practised * :For the most part it is sufficient to play the left hand (in lessons) The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’
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Antonio Vivaldi
L'Estate (The summer), op.8, No. 2, RV 315 Viola and piano
The ‘dumb it down’ series offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. The level of difficulty is strongly dependent on the tempo. The notation clearly differentiates which quavers should be played and which are optional by indicating the repetition marks (see the notation from bar 11 in the 3rd movement in particular). This additional possibility of simplification as well as a low tempo (realistic in a teaching context) justify the rating of the piano movement as 2. The faster the music is played, the closer you get to difficulty level 4. Level of difficulty 2: must be looked at before the lesson, practised before the concert Level of difficulty 3 : Fingerings may need to be entered and practised Level of difficulty 4 : Compared to the original, the piano writing has been greatly simplified, but can still be practised by amateurs The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’
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Niccolò Paganini
Moto perpetuo op. 11 Violoncello and piano
From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends etc. Paganini wrote the ‘Moto Perpetuo’ like many other works for himself for violin and orchestra. The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’ Level of difficulty 2*: must be looked at before the lesson, practised before the concert * For the most part, it is sufficient to play the left hand (during lessons)
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Johannes Brahms
Waltz op. 39 No. 15 Contrabass and piano
From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Brahms originally composed this waltz for piano four hands and later arranged it for piano two hands. In this case, therefore, there is no original piano setting for the accompaniment of a melody instrument. The ‘original’ piano setting used by Philip Lehmann as a model is a self-created essence of various sheet music editions available on the market. Difficulty level 1 : beginner, can be sight-read The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’
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Camille Saint-Saëns
L'éléphant (Der Elefant) Contrabass and piano
From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends etc. In order to be able to offer all possible performance options, this edition: - The piano part in the original key of E flat major, playable with the double bass part in E flat major for orchestral tuning or in D flat major for solo tuning. - The piano part in F major, playable with the double bass part in E flat major for solo tuning. Level of difficulty 1 : Beginner, can play at sight The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’
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Anja Elsholz
Susi and Eddi viola method | volume 2 Viola (Bratsche)
For individual and group lessons ‘Playing the viola is fun!’ remains the motto of the 2nd volume of the viola method for children. In a playful way, students learn the second and third fingerings in the first position, expand their melodic and ensemble playing skills, practise double stops, slurs and the portato bowing technique and deepen their knowledge of music theory. Children's songs, traditionals and canons, which sit alongside the classical works, encourage singing along and increase motivation. The funny little monkeys are once again at the viola students' side and ensure that even small learning steps remain exciting. Child-friendly pictures and notes support the learning process.
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Claus Woschenko
De hillige Nacht - Ein norddeutsches Weihnachtsoratorium für 4 Soli, gemischten Chor, Orchester und Orgel
Besetzung: Soli (SABarB), 4-st. gem. Chor, 2.2.2.2.-0.1.0.0., Schlgw., Pk, Str (Posaunenchor ad lib.) Dauer: 60 Minuten Schwierigkeitsgrad: mittelschwer Klavierauszug (N 4631) Das plattdeutsche Weihnachtsoratorium für Soli, gemischten Chor, Orchester und Orgel erblickt im Dezember 2024 das Licht der Welt. Mit" De hillige Nacht" schafft Claus Woschenko (* 1979) ein eindrucksvolles Vokalwerk, das traditionelle Weihnachtsklänge mit der besonderen Schönheit der plattdeutschen Sprache verbindet. Das Werk folgt der traditionellen Dramaturgie eines Weihnachtsoratoriums: Soli, Rezitative und Choräle stehen im Wechselspiel und erzählen die Weihnachtsgeschichte in eindrucksvoller musikalischer Form. Dabei erklingen bekannte Choräle wie „Makt hoch de Döör (Macht hoch die Tür)“, „Kümmet, ji Harders (Kommet, ihr Hirten)“ uvm. und verleihen der Komposition dadurch einen vertrauten, festlichen Charakter. Claus Woschenkos Komposition zeichnet sich durch eine farbenreiche, harmonische Klangwelt aus, die modern daherkommt und gleichzeitig zugänglich bleibt. Seine Musik verbindet zeitgenössische Ausdrucksformen mit einer emotionalen Wärme des Weihnachtsfestes. Durch raffinierte Instrumentation und klangliche Nuancen schafft er eine Atmosphäre, die festlich, aber nicht überladen wirkt – modern, ohne dabei dissonant zu sein. Die Musik strahlt eine behagliche Tiefe aus, die sowohl den Texten als auch der festlichen Stimmung gerecht wird. Woschenko nutzt zudem die klangvolle, vokalreiche Schönheit der plattdeutschen Sprache, die Zeugnis eines grenzübergreifenden Kulturraums im nördlichen Europa ist. Diese Sprache, die sich hervorragend vertonen und singen lässt, verleiht dem Oratorium eine besondere Ausdruckskraft. Das Weihnachtsoratorium lässt sich von Laien- und Profimusikern gleichermaßen realisieren. Uraufführung: 22.12.2024 in der Plöner Kirche.
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