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Unter den Orgeltabulaturen des frühen 17. Jahrhunderts fallen die Intavolierungen von motettischer Figuralmusik des Hamburger Organisten Heinrich Scheidemann besonders heraus. Die kunstvollen Bearbeitungen wurden in heutige Notation übertragen.
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10. Omnia, quae fecisti nobis, Domine 11. Surrexit pastor bonus 12. Verbum caro factum est
