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101 From 102
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Deutsche Meister. Paduanen und Galliarden zu 5 Stimmen (1609)
Helmut Mönkemeyer
Deutsche Meister. Paduanen und Galliarden zu 5 Stimmen...
 
Partitur: N 1317
Mehr
€3.00 *
Die Flötenorgel - Träumereien
Raphael B. Meyer
Die Flötenorgel - Träumereien
 
Eine Musik für Blockflötenquartett in verschiedenen Besetzungen, die mit viel Witz, Charme und Virtuosität Jahrmarkts- und Varieté-Stimmungen aus längst vergangenen Tagen einfängt: Die insgesamt 19 Stücke der „Flötenorgel“ in 5 Bänden bewegen sich zwischen Klassik, Jazz und neuzeitlicher Unterhaltungsmusik. Alle Stücke können einzeln gespielt werden, eignen sich aber auch als 75-minütiges Konzertprogramm mit dramaturgisch spannendem Aufbau. "Träumereien" bildet den letzten Band der Reihe und führt die ZuhörerInnen in nächtliche Zirkusstimmungen mit 4 Stücken für verschiedene Besetzunegn (von Sopranino-Blockflöte bis Subbass). Inhalt: - Romanze (ATBSb oder SinoSAB) - Mitternachts-Tango (BBGbSb/Lotusflöte oder AATB) - Nocturne (T(S)TBSb) - Adieu (ATTB oder BGbGbSb) Gesamtausgabe zum Vorzugspreis: N 2961 Die Hefte sind auch einzeln erhältlich: Band 1: Hereinspaziert N 2516 Band 2: Zauber der Manege N 2953 Band 3: Das grosse Vergnügen N 2954 Band 4: Imaginarium N 2955 Band 5: Träumereien N 2956
Mehr
€29.00 *
Newe außerlesene Paduanen, Galliarden / Cantzonen, Allmand vnd Coranten
Wilhelm Brade
Newe außerlesene Paduanen, Galliarden / Cantzonen,...
 
Partitur: N 1239-P Stimme 1 (Canto): N 1239-Sti1 Stimme 2 (Quinto): N 1239-Sti2 Stimme 3 (Alto): N 1239-Sti3 Stimme 4 (Tenore): N 1239-Sti4 Stimme 5 (Basso): N 1239-Sti5
Mehr
€20.00 *
Newe außerlesene Paduanan, Galliarden / Cantzonen, Allemand vnd Coranten
Wilhelm Brade
Newe außerlesene Paduanan, Galliarden / Cantzonen,...
 
Partitur: N 1239-P Stimmen komplett: N 1239-SS
Mehr
€4.00 *
Newe außerlesene Paduanen, Galliarden /Cantzonen, Allmand vnd Coranten
Wilhelm Brade
Newe außerlesene Paduanen, Galliarden /Cantzonen, Allmand...
 
Partitur: N 1239-P Stimmen komplett: N 1239-SS
Mehr
€4.00 *
Newe außerlesene Paduanan, Galliarden / Cantzonen, Allmand vnd Coranten
Wilhelm Brade
Newe außerlesene Paduanan, Galliarden / Cantzonen,...
 
Partitur: N 1239-P Stimmen komplett: N 1239-SS
Mehr
€4.00 *
Newe außerlesene Paduanen, Galliarden / Cantzonen, Allmand vnd Coranten
Wilhelm Brade
Newe außerlesene Paduanen, Galliarden / Cantzonen,...
 
Partitur: N 1239-P Stimmen komplett: N 1249-SS
Mehr
€4.00 *
New außerlesene Paduanen, Galliarden / Cantzonen, Allmand vnd Coranten
Wilhelm Brade
New außerlesene Paduanen, Galliarden / Cantzonen, Allmand...
 
Partitur: N 1239-P Stimmen komplett: N 1239-SS
Mehr
€4.00 *
New select Paduans and Galliards to 6 recorders (1614), part 2
Wilhelm Brade
New select Paduans and Galliards to 6 recorders (1614),...
6 Recorders (SSATTB) - voices complete  
From the middle of the 16th century, a group of players was called a »Consortium« - especially in England. The term »Consort« was also used to indicate the character of the instrumental ensemble. Later, it was also applied to the music, which could be played »broken« (that is, on instruments of different types) or »whole« (that is, on instruments of the same family). Well into the 18th century the term »consort« - related to the French »concert« and the Italien »concerto« - was in general use. In giving our series of works the title »Consortium«, we are likewise thinking of a musical »company and ensemble«, playing »a variety of instruments« , to whom we should like to make available hidden treasures of the instrumental and chamber music of the 16th - 18th centuries through new editions. The works of the Consortium Series appear in urtext form, except that the parts written in the old clefs have been printed in those used today. Score: N 1240-P (Score) Voices complete: N 1240-SS (Voices complete) Voice 1: N 1240-Sti1 (Canto - Soprano) Voice 2: N 1240-Sti2 (Quinto - Soprano) Voice 3: N 1240-Sti3 ( Alto - Alt) Voice 4: N 1240-Sti4 (Tenor - Tenor) Voice 5: N 1240-Sti5 (Sesto - Tenor) Voice 6: N 1240-Sti6 (Basso - Bass)
Mehr
€18.00 *
New select Paduans and Galliards to 6 recorders (1614), part 2
Wilhelm Brade
New select Paduans and Galliards to 6 recorders (1614),...
6 Recorders (SSATTB) - Canto (Soprano)  
From the middle of the 16th century, a group of players was called a »Consortium« - especially in England. The term »Consort« was also used to indicate the character of the instrumental ensemble. Later, it was also applied to the music, which could be played »broken« (that is, on instruments of different types) or »whole« (that is, on instruments of the same family). Well into the 18th century the term »consort« - related to the French »concert« and the Italien »concerto« - was in general use. In giving our series of works the title »Consortium«, we are likewise thinking of a musical »company and ensemble«, playing »a variety of instruments« , to whom we should like to make available hidden treasures of the instrumental and chamber music of the 16th - 18th centuries through new editions. The works of the Consortium Series appear in urtext form, except that the parts written in the old clefs have been printed in those used today. Score: N 1240-P (Score) Voices complete: N 1240-SS (Voices complete) Voice 1: N 1240-Sti1 (Canto - Soprano) Voice 2: N 1240-Sti2 (Quinto - Soprano) Voice 3: N 1240-Sti3 ( Alto - Alt) Voice 4: N 1240-Sti4 (Tenor - Tenor) Voice 5: N 1240-Sti5 (Sesto - Tenor) Voice 6: N 1240-Sti6 (Basso - Bass)
Mehr
€3.00 *
New select Paduans and Galliards to 6 recorders (1614), part 2
Wilhelm Brade
New select Paduans and Galliards to 6 recorders (1614),...
6 Recorders (SSATTB) - Quinto (Soprano)  
From the middle of the 16th century, a group of players was called a »Consortium« - especially in England. The term »Consort« was also used to indicate the character of the instrumental ensemble. Later, it was also applied to the music, which could be played »broken« (that is, on instruments of different types) or »whole« (that is, on instruments of the same family). Well into the 18th century the term »consort« - related to the French »concert« and the Italien »concerto« - was in general use. In giving our series of works the title »Consortium«, we are likewise thinking of a musical »company and ensemble«, playing »a variety of instruments« , to whom we should like to make available hidden treasures of the instrumental and chamber music of the 16th - 18th centuries through new editions. The works of the Consortium Series appear in urtext form, except that the parts written in the old clefs have been printed in those used today. Score: N 1240-P (Score) Voices complete: N 1240-SS (Voices complete) Voice 1: N 1240-Sti1 (Canto - Soprano) Voice 2: N 1240-Sti2 (Quinto - Soprano) Voice 3: N 1240-Sti3 ( Alto - Alt) Voice 4: N 1240-Sti4 (Tenor - Tenor) Voice 5: N 1240-Sti5 (Sesto - Tenor) Voice 6: N 1240-Sti6 (Basso - Bass)
Mehr
€3.00 *
New select Paduans and Galliards to 6 recorders (1614), part 2
Wilhelm Brade
New select Paduans and Galliards to 6 recorders (1614),...
6 Recorders (SSATTB) - Alto (Alto)  
From the middle of the 16th century, a group of players was called a »Consortium« - especially in England. The term »Consort« was also used to indicate the character of the instrumental ensemble. Later, it was also applied to the music, which could be played »broken« (that is, on instruments of different types) or »whole« (that is, on instruments of the same family). Well into the 18th century the term »consort« - related to the French »concert« and the Italien »concerto« - was in general use. In giving our series of works the title »Consortium«, we are likewise thinking of a musical »company and ensemble«, playing »a variety of instruments« , to whom we should like to make available hidden treasures of the instrumental and chamber music of the 16th - 18th centuries through new editions. The works of the Consortium Series appear in urtext form, except that the parts written in the old clefs have been printed in those used today. Score: N 1240-P (Score) Voices complete: N 1240-SS (Voices complete) Voice 1: N 1240-Sti1 (Canto - Soprano) Voice 2: N 1240-Sti2 (Quinto - Soprano) Voice 3: N 1240-Sti3 ( Alto - Alt) Voice 4: N 1240-Sti4 (Tenor - Tenor) Voice 5: N 1240-Sti5 (Sesto - Tenor) Voice 6: N 1240-Sti6 (Basso - Bass)
Mehr
€3.00 *
101 From 102
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