The ‘dumb it down’ series offers simplified piano accompaniments by Philip Lehmann to works for violin, viola, violoncello, flute, clarinet and other instruments. L'abeille (The Bee) is included as No. 9 in the Bagatelles op. 13 for violin and piano, a collection of individual pieces composed between 1856 and 1862. This quasi-perpetuum mobile, composed in 1860, was written by François Schubert, who lived in Dresden all his life and should not be confused with his famous Austrian namesake Franz Schubert. The edition contains QR codes to playalongs in various tempi with the original piano setting. Difficulty level 1 : beginner, can be played at sight The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

The ‘dumb it down’ series offers simplified piano accompaniments by Philip Lehmann to works for violin, viola, violoncello, flute, clarinet and other instruments. L'abeille (The Bee) is included as No. 9 in the Bagatelles op. 13 for violin and piano, a collection of individual pieces composed between 1856 and 1862. This quasi-perpetuum mobile, composed in 1860, was written by François Schubert, who lived in Dresden all his life and should not be confused with his famous Austrian namesake Franz Schubert. The edition contains QR codes to playalongs in various tempi with the original piano setting. Difficulty level 1 : beginner, can be played at sight The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

The „Meditation“ is only a very quiet piece in the ­opera „Thais“, originally scored for violin and orches­tra. Because of the many rubati, we have decided against providing playalongs for this edition. From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends, etc. Difficulty level 2 : must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

The series ‘dumb it down’ offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. This piece was originally composed for two violins and orchestra (Christmas concerto). Level of difficulty 1 : Beginner, can be sight-read The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

For individual and group lessons ‘Playing the viola is fun!’ remains the motto of the 2nd volume of the viola method for children. In a playful way, students learn the second and third fingerings in the first position, expand their melodic and ensemble playing skills, practise double stops, slurs and the portato bowing technique and deepen their knowledge of music theory. Children's songs, traditionals and canons, which sit alongside the classical works, encourage singing along and increase motivation. The funny little monkeys are once again at the viola students' side and ensure that even small learning steps remain exciting. Child-friendly pictures and notes support the learning process.

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends etc. Level of difficulty 3 : Fingerings may have to be entered and practised. The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends etc. In order to be able to offer all possible performance options, this edition: - The piano part in the original key of E flat major, playable with the double bass part in E flat major for orchestral tuning or in D flat major for solo tuning. - The piano part in F major, playable with the double bass part in E flat major for solo tuning. Level of difficulty 1 : Beginner, can play at sight The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Level of difficulty 3* : Fingerings may need to be entered and practised * :For the most part it is sufficient to play the left hand (in lessons) The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Brahms originally composed this waltz for piano four hands and later arranged it for piano two hands. In this case, therefore, there is no original piano setting for the accompaniment of a melody instrument. The ‘original’ piano setting used by Philip Lehmann as a model is a self-created essence of various sheet music editions available on the market. Difficulty level 1 : beginner, can be sight-read The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends etc. Paganini wrote the ‘Moto Perpetuo’ like many other works for himself for violin and orchestra. The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’ Level of difficulty 2*: must be looked at before the lesson, practised before the concert * For the most part, it is sufficient to play the left hand (during lessons)